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Arts Made at Berkeley
A collage of four images of a building. The image at the top shows a street-level view of a co-living space. The three images at the bottom show the interior and a staircase.

Interconnection, 2021.

‘Interconnection’ is a residential project containing 18 intersecting dwelling units organized into an aggregation of 3 standard 50’ x 150’ lots located at a corner of an intersection in Los Angeles.

No place like home in large bold black text

No Place Like Home, 2021.

The exhibition “No Place Like Home” features 8 rooms designed after popular rooms in common households.

Acrylic painting of a women looking up on a wood panel

Dante's Euphoria, 2021.

For the Timeline/Anniversaries project, I created my piece Dante's Euphoria to comment on how the narrative of the Divina Commedia has been preserved and reintroduced into entertainment and popular culture of the

Black screen with white text, "Darkness cannot drive darkness; Light can do that. Hate cannot drive out hate; Love can do that. —Martin Luther King, Jr."

A Magic Story, 2021.

In response to the recent AAPI hate crime, I made this video called "magic story." This video is inspired by William Kentridge, Candice Breitz, and Richard Mosse.

Pencil drawings of three stick figures, two near tents, with the words, "Hong Kong" and "refugee camps" written. You can see the faint outline of previous drawings been erased on the paper.

The Journey, 2021.

Artist William Kentridge inspired me in the way that he was able to display the rich history of his hometown Johannesburg, South Africa.

A person looks at another man in a red hallway, walls adorned with picture frames and heart cut-outs dangling from the ceiling

The Cinderella Cake, 2021.

As a queer child, my adolescence and authenticity were reared in suppression, guilt, and heartache.

Beyond a wire fence stands a brown house with green grass and trees surrounding it. Across the bottom is the caption in white text with black background, "My love, I'm sorry I'm just now writing back to you. The baby got the stomach flu."

Estimado Tauris, 2021.

Biographical film about my maternal grandparents' relationship, as shown through correspondence they held in the 1970s, archival still photos, and footage of what their house looks like today.

A blue figure holding incense stares down at a red figure laying down face-first on a surface, with arms outstretched over the head, hands holding a rose.

Ritualization of Self (Mirror), 2020.

This digital illustration was a way of reflecting on the cultural and religious intersections that exist in my background, as a Mexican-Pakistani Muslim person who was raised in a household with both Muslim and C

16 images of various aspects of the creator's life are depicted in small rectangles, including an illustration of covid (el covid), a unicorn (el unicornio), Zoom (el Zoom), the sun (el sol). At the top of the images are the words, Loteria, Tabla 20.

Loteria 2020, 2021.

This artwork is a 2020-21 Loteria (lottery) card. This is basically meant to show how 2020 felt like a gamble to me. The year overall had terrible events going on from a pandemic to wildfires to unemployment.

A book with a navy cover, image of the Jacobs institute's building, and the words, "5 years, Jacobs Institute for Design Innovation". The book lies on a gray surface.

Jacobs 5 Year Anniversary Book, 2021.

The “Jacobs 5 Year Anniversary Book” is a 64-page print book that celebrates the achievements of the students, staff, and faculty of Jacobs Institute since its inception in fall 2015.

An hourglass with a burning heart in the top bulb with the words "good validation, happiness, perfection" slipping through the narrow middle to the lower bulb, filled with the words "expectations, lost time, stress, sad, pressure, overextend, overdo."

The Application of Dante's Philosophy to the Modern Lifespan, 2021.

Within Dante’s Divine Comedy, he focuses on one’s future and fate in the afterlife in his description of salvation.

A woman looks upward as their left hand runs through their long brown hair, sitting on a large brown flower.

Comfortable, 2021.

As one of my final pieces as an undergrad, I decided to do a self portrait for many reasons.

Mixed media sculpture on a wood panel

Finale (Genesis), 2020.

“If you were to create one last piece, what would it be?”

Dante in profile (on the left) is facing the masked figure of a young girl opposite him. Two trees frame the figures, and a mountain stands in the middle.

Emerging From Hell, 2021.

This past year has been a struggle for many of us, COVID-19 turning upside down the world we’ve always known.

Collage of images showing the stages of bread making from blooming yeast to cutting the bread.

Grief Baking, 2020.

Within this body of work Arianna Williamson will use her practice as guidance for healing from grief and loss of a matriarch in her life.

Two women with glowing face paint lay on the ground looking at the camera holding masks.

Lifting the Spirit, 2021.

Our work attempts to immerse our audience into an alternative spirit space where they are invited to question their reality and what they think is fixed.

Pink pillows with black designs and a "hole" in the center that have been sewn to interlock.

Bunny Chain, 2021.

Bunny Chain is a chain made from pillows. The pillows themselves have been sewn to interlock. The work itself is flexible and moveable. The pillows can move around each other, but cannot be separated.

Two heads rest at either side of a box, framed by four arms. Inside of the box is a spider on top of a face pointing upwards, miniature candles, an eyeball on top of a chess pawn piece, and a fan.

Recluse, 2021.

Inspired by the Brown Recluse Spider, Recluse is the visualization of a secluded place for hermits and ominous activities to take place.

Painting of a woman covering the eyes of another woman as they look to the right. A floral wire runs down from the top left corner to the bottom right corner where it bunches up.

Shielding, 2021.

This work Shielding is the centerpiece of my Self-Haunting Tryptic Series, in which the main theme is about how bodies react within a dark mindset.

nine small paintings of different portions of the body arranged to form a larger square.

Skin Series, 2020.

The COVID-19 pandemic presented a challenge to me as a figurative artist. Isolation left me longing to be with the friends and family I missed, and painting or drawing them seemed only to further this longing.

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