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Film/
Media Made at Berkeley
Concept board depicting exhibition layout

The Lost Year, 2021.

This piece includes the design for a museum exhibition in a space that accounts for COVID restrictions but offers an in-person viewing experience that would allow visitors to view a wide range of works relating t

Empty movie theater with lights on

Scenes from a Multiplex, 2020.

"Scenes from a Multiplex" is a collection of memoirs from a former movie theater usher.

Black screen with white text, "Darkness cannot drive darkness; Light can do that. Hate cannot drive out hate; Love can do that. —Martin Luther King, Jr."

A Magic Story, 2021.

In response to the recent AAPI hate crime, I made this video called "magic story." This video is inspired by William Kentridge, Candice Breitz, and Richard Mosse.

A layout of an exhibition floor plan in the shape of the continent of Africa. The floor plan is divided into twelve sections, each featuring a different African American man's artwork.

Crowned, 2021.

The role African American men have played throughout history has been one full of turbulence and pain.

Pencil drawings of three stick figures, two near tents, with the words, "Hong Kong" and "refugee camps" written. You can see the faint outline of previous drawings been erased on the paper.

The Journey, 2021.

Artist William Kentridge inspired me in the way that he was able to display the rich history of his hometown Johannesburg, South Africa.

Mikee sits on a couch with mouth open, hands outstretched. To his left his a puppy sitting on pillows looking up at him.

Curly Fries: A Working Title, 2020.

Working with three Bay Area writers, the Theater Department produced Curly Fries as an episodic web series to reflect student lives during the pandemic.

15 image collage of different scenes from Curly Fries, featuring a different person in each image.

Curly Fries, 2020.

“Twelve young people navigate a world blindsided by a pandemic and a reckoning for racial justice. How to go to school, pay the rent, stay alive, attend a protest, go on a date?

A person looks at another man in a red hallway, walls adorned with picture frames and heart cut-outs dangling from the ceiling

The Cinderella Cake, 2021.

As a queer child, my adolescence and authenticity were reared in suppression, guilt, and heartache.

close up of a women with glasses, fingers resting above her lips in a pensive manner

An Ornithologist’s Daughter, 2021.

Following the death of both of her parents, a woman chicken farmer is sent an old box of family things. She opens it with her son.

One construction worker in a brown hardhat covered with stickers and an orange and neon yellow vest sits down while two other construction workers stand around him.

Conco Construction, 2021.

Construction workers look foreign to the common person; like aliens or astronauts landing on new territory. We never see them up close just from a distance: typically a distance we would like to keep from them.

Beyond a wire fence stands a brown house with green grass and trees surrounding it. Across the bottom is the caption in white text with black background, "My love, I'm sorry I'm just now writing back to you. The baby got the stomach flu."

Estimado Tauris, 2021.

Biographical film about my maternal grandparents' relationship, as shown through correspondence they held in the 1970s, archival still photos, and footage of what their house looks like today.

a bee approaches a dandelion in a field of dandelions, with the mountains in the background.

little dandelion, 2020.

little dandelion is a dance film created for, through, and by the collaborative process of tuning in.

Shadow across face with a bullet hole on the right, with the words, "Gray, written & directed by Elysse Green" below.

Gray, 2020.

GRAY is an original drama series written and directed by Elysse Green (Theater and Performance Studies, 2020).

Collage of images showing the stages of bread making from blooming yeast to cutting the bread.

Grief Baking, 2020.

Within this body of work Arianna Williamson will use her practice as guidance for healing from grief and loss of a matriarch in her life.

Two women with glowing face paint lay on the ground looking at the camera holding masks.

Lifting the Spirit, 2021.

Our work attempts to immerse our audience into an alternative spirit space where they are invited to question their reality and what they think is fixed.

Person cups the flames from a lighter with their hand during sunset, with the Golden Gate Bridge in the background.

San Francisco and the Divine Comedy: One Faith One Path, 2021.

San Francisco and the Divine Comedy: One Faith One Path, is my interpretation of purification in Purgatory.

Hand holding phone with chefechef website in front of a dinner plate, with the words, "Anytime, Tara! I look forward to assisting you next time!" overlayed in white.

Chefechef, 2021.

Our product focuses not only on improving cooking skills in general, but provides emotion support via positive affirmations (which is lacking in current products and is an expressed/fundamental/emotional need of

Handwriting on a blank notebook

Alienated Utterings, 2020.

The Outward Localities Collective aims to pay homage to the young soldiers who perished in a distanced war in the South Caucasus region.

One tree with no branches, covered with transparent rectangles.

Custom Tree Generation, 2021.

This is a grasshopper algorithm that I find very powerful when modeling trees. This algorithm can be used to create trees of custom thickness and density, all within a specific boundary region.

Image of Looking Down and Looking Up

Looking.Down@Looking.Up, 2020.

A counter-perspective to the untitled masthead which adorns the 'Made at Berkeley' exhibit (and the atrium of Soda Hall before it), the photo depicts a first-person view of what many of us passed and never notice

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